Les Hipòtesis de Recerca Artística com a Superfícies d’Aparició. CMYK-BR::AC Universitat de Barcelona
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Els quatre libres CMYK que edita el Grup de Recerca BR::AC Barcelona, Research, Art, Creation, es van presentar al Paranimf de la Universitat de Barcelona amb l’execució de l’Acció sonora Cartridge Music (Cartutx de Música) de John Cage, que el 1960 iniciava l’anomenada música no-intel·lectual. Aquesta música amplifica el so dels objectes captat a través de micròfons de contacte i aconsegueix fer desaparèixer la divisió entre el plàstic i el sonor. Prendre consciència del gest, si, i del propi moviment dins l’entorn, d’acord; però això què ens aporta? Doncs, el que podríem anomenar una superfície d’aparició.
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