An Assault to Communication. A Redefinition of Fake as an Artistic and Activist Practice in Information Society

Vanni Brusadin

Abstract


Fake is at the same time a generic term in Internet jargon and a strategy in artistic and activist interventions based on identity theft, hoax and other kinds of momentary confusion in a mass-mediated public sphere. In this article a more accurate definition of fake will be proposed according to three main principles: in the first place, the artistic and activist fake is not just a forgery, but a mechanism to subvert the functioning of discursive frames; secondly, it sets out to provoke symbolic conflict within a specific social and political context; and finally, its nature is intertwined with the historical and social conditions of use of communication technologies. This last issue will allow to sketch a new challenge: defining a possible evolution path of fake in the age of social media and big data.


Keywords


Fake; media; art; activism; internet



DOI: http://dx.doi.org/10.17583/brac.2015.1637

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This work is licensed under a Creative Commons Attribution 4.0 International License.

BRAC - Barcelona Research Art Creation | ISSN: 2014-8992

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